Tuesday, August 26, 2014
Monday, August 18, 2014
Playing with photographs and poetry
As both a photographer and a writer I do a lot of different things. Yes, most of my photography is of the same basic subject, flowers. Be they cultivated or wild weeds, I take photos of them and then post them for people to enjoy over on my photo blog, Window to my mind.
But as a writer most of what I do is a bit different. Writing short stories, novellas and novels doesn't always blend well with the photos I take, but now my poetry, that is a different story. Over the past few months I have been playing with some of the shorter forms of poetry. Just to see if I can pull them off. Not sure how good they are but they do work well placed into some of the photographs I have taken.
In today's blog here I thought I would post up the cinquain poems i have written placed over some of my photos...for your viewing pleasure of course. Hope you like. Over the next year I plan on doing more before I collect them all into one volume and put them out.
These are what is known as a didactic cinquain. Basically you do it as follows, line a one word, line b two words, line c three, line d four and line five one. Simple but not as easy as it looks. Using photoshop I simply edited the photo that I wished to use to the correct size and then typed in the poem.
But as a writer most of what I do is a bit different. Writing short stories, novellas and novels doesn't always blend well with the photos I take, but now my poetry, that is a different story. Over the past few months I have been playing with some of the shorter forms of poetry. Just to see if I can pull them off. Not sure how good they are but they do work well placed into some of the photographs I have taken.
In today's blog here I thought I would post up the cinquain poems i have written placed over some of my photos...for your viewing pleasure of course. Hope you like. Over the next year I plan on doing more before I collect them all into one volume and put them out.
These are what is known as a didactic cinquain. Basically you do it as follows, line a one word, line b two words, line c three, line d four and line five one. Simple but not as easy as it looks. Using photoshop I simply edited the photo that I wished to use to the correct size and then typed in the poem.
Monday, August 11, 2014
Description can be your friend or your enemy
There has been a lot of talk lately that descriptions are too top heavy in fiction. In fact a lot of critics seem to expect us to have action, action, action, dialog, action, action, closing. They are upset with the idea that we are trying to build images in the readers mind.
Yes, there are a lot of books out there with way too much description but I have found a lot of books just aren't giving the reader enough information for us, the readers, to come up with a clear image of what we are reading. Describe your hero, your heroine, your villain and your world in clear, concise terms. Use words that are not so common to tell your reader just who it is they are reading.
Here is an example of a description I used that readers seemed to enjoy from one of my first published works, Partings:
The
ink black horse raced across the hills, a darker shadow against the night sky,
the sound of its hooves breaking the eerie silence. The only color was a flash of red as the rider's dark cloak
flapped open to show a stain of blood underneath.
I
watched as the figure drew near, my eyes searching, trying to pierce the
darkness beneath the hood. My white
gown, too thin for the night air, flapped in the cold wind, my long hair,
tangled. Once it was the color of Autumn
leaves, bright with gold and reds. Now
I didn’t not know, I could not see it.
My eyes focused only on the distant form, racing across the hills. Though shivers racked my frame, I didn't
notice the cold. Could it be, was my
long wait over?
Now yes this needs a bit of editing but you can see what I mean. By using words like Ink black or autumn leaves you get an image in your mind of just what I meant in my description. I could have simply said her hair was red but that would not have given you the image of a fiery flow of colors.
So how about when you do your next description of a character instead of saying they simply have brown hair you try one of these words?
Mahogany
Earthy
rich loam
Three little words that can give different images. They don't take up any more room than just typing brown. You can do the same with any color of course. use your adjectives. Don't be afraid of using them. No matter what the current thought is on adjective and adverbs they are a part of our language and if use judiciously can enhance your story.
Don't play into the current trends if you can help it. Use words that are just a little more intelligent. Your character could be the most intellectually dense character in your world but the way you describe him does not have to be that way.
Monday, August 4, 2014
Getting your tale started
Now I admit dumping a reader into an intense action sequence can be jarring if not done right. So there is a fine balancing act going on. As a writer of mostly short fiction, I tend to go for the hook, the punch early and then let the tale tell itself, but now that I am doing longer tales I need to have the action move up and down.
While in the genres of mystery and romance, you can start out with introspection but in fantasy or science fiction you need that tension. For example I can give you some of my opening pages.
Here in Endings, the first book of my Saga of Loralil Greyfox I have the action off stage so to speak but it is there:
Screams
of terror and betrayal filled the clearing. Blood flowed as the vicious invaders
looked for their prey. They weren't here, but the sounds from below should
bring them forth. Death was not quiet on this afternoon.
Once the noise from the attack reached up the hill to the
smithy, the Blade master looked up. He was tall for these small folk. He came
to a height of 5'6". Tall for an elf. He had blue black hair tied back in
a club. His eyes were a deep purple, odd for a surface dwelling elf. He had
massive muscles from years of smithing. He grabbed up the nearest weapon, a
sword he made years ago for a king who did not live to collect his custom job.
A flame brand. He yelled back to the open door of his home, "Silvershine!
Greyfox! Come out here!"
"What
is it, Stoneblade?" Asked his wife as she came out of the house. She was a
beautiful woman. Long silver hair pulled back into a myriad of tiny braids. She
was slender and graceful. She had kept a fine figure after the birth of her
child and the following years of settled life. She was a foot shorter than her
husband and had a voice that would make birds stop singing in envy.
"The
village is under attack," Stoneblade replied quickly has he turned to
intercept his child as she tried to fly past him. "Stop right there!
Greyfox, you must go to the hiding place."
"Father!
No! I want to help!"
***
As you can see I put action in the very first page of this novella length tale. It hooks in the reader (or so I am told) and makes them want to read more. This is a good thing for any writer.
When you move into a second book, you don't need to have as strong a hook to get the reader. If you have hooked them properly then your second tale in the series can have a less action oriented opening, as I have here in Revenge, the second in the Loralil books:
Travel during the winter was always hard; it was
even harder for Loralil. She was leaving
the only home she had known; she had spent the last two years living with her
uncle, her mother's brother. He had
tried his best to make Loralil feel welcome and it wasn't his fault that she
was leaving. It wasn't his fault that
the people of his home clan could not accept her. She had very few of the mannerisms expected of an Elven
maiden. She tried to fit in but she
just couldn't. The prejudice of the
people against anything non-Elven was too much to deal with. They felt that anything or anyone not Elven
was beneath notice. Never mind that
Loralil had spent thirty years in human hands, she was an elf and was expected
to act like an Elven maiden of her years; with all the training and knowledge
that an Elven maiden of her years normally would have. The clan elders knew her history and tried
to ease her way but many just didn't care.
Her parents had been rebels in the eyes of many
here. Her mother had left to train in a
human run bardic college not staying and learning from the bards at home. She had then gone on to adventure in the
outside world, instead of coming home to care for her family's businesses. She had the audacity of meeting and then she
marrying outside her clan's wishes to a different race of elf, to an elf that
worked for a human monarch. And worse
yet she decided to settle down with a third race of elves away from the clan
and raise her family there.
***
A more relaxed opening than what I had with the first tale, correct? In my opinion Revenge is a better book, but that is because I had learned a lot in the years between writing the two tales.
Now those are of course both fantasy books. As a fantasy writer I generally know how to get my fantasy tales moving from the very beginning but switching genres can make it a bit harder to pull off. In this, the opening to Escape, I once more track back to the intense action opening.:
Caro ran down the
corridor ahead of the Sweepers. Throwing a look back at each bend in the way,
she managed to stay just out of their view. Dodging between the shoppers, under
the long scraps of material that heralded what each tiny, hole in the wall shop
specialized in, she moved from one tiny space to another with all the agility
of a child. The Sweepers were once more rounding up the young and masterless
and it was clear they needed new females, females to breed up new warriors and
to slave for the Masters. Caro refused to follow in her sister dancers
footsteps, refused to be made a slave again. She needed to get off this
station, onto a ship headed to a free world. A few more twists and turns down
tunnels that echoed with the mix of languages that made up the natives of the
station. Cries of warning and of complaint mixed with the patios of commerce.
She leapt high over a cart that had spilled in the middle of her path, briefly
amazing those watching as she seemed to fly. She flashed a tight grin and waved
as she landed, a quick pirouette that she could not stop herself from doing.
She rolled her eyes at her action and dashed off once more. A few more twisting
turns and she came to the concourse. Slowing, she eeled her way into the crowd.
Her size helped her blend into the crowd, but she stood out for her ethnicity.
Where most of those who lived and worked on this station were small with black
hair and blacker eyes, she had a different shape to her face, her eyes large
and round compared to the almond shape of those bred to this station. She was
dressed in her silks, a bright flash of color among a sea of black tunics and
pants. A cardinal that stood out surrounded as she was by crows. She had to
find Adam. Only with him did she feel safe from the Sweepers.
***
Once more I have pulled out that action sequence to pull the reader into the first book of a series. By making the first character the heroine, I give readers (at least the female ones) someone to sympathize with and hopefully make them want to know just what she is running from and why.
Switching genres, sort of, I have Fall Into Nightmares. This post-apocalyptic novel has more the tension from something other than action. While I did include a lot of action in the first of the Chaos War series, this book started with a more dramatic, emotional opening (IMO):
"You will change the world, my love. Your agony will
set me free!"
Jeffrey woke with a start, his eyes darted about the darkened
room searching for the source of the voice that filled his head but there was
nothing and no one there. After a few minutes, his breathing calmed down and he
whispered. "Just a dream, nothing more."
"Hmm?" came a soft, muffled murmur at his side. He
looked down with a soft smile for the woman who shared his bed. Reaching out he
lightly brushed a lock of black hair from her cheek.
"Nothing love, go back to sleep." He moved closer
to the girl, wrapping an arm around her and drifted back to sleep. Just as he
fell back over into dreams, he heard soft and evil laughter.
Using a dream for an opening can be very powerful if done well. If you are looking to do a horror story or a fantasy with heavy horror elements, you can can use this type of opening easily.
So as a writer you have to decide. Do you do an intense action piece for your opening page, a dream or something simple like this piece from The Traveler, my fantasy novel
Riding
through the storm, Edana sighed as the shelter finally came in sight. She had been riding for hours in the massive
storm. The crash of the thunder had
become just background noise to her. As
her horse stumbled to a halt, she pulled her mind together and with great
effort looked around. They had stopped
in front of the first travel shelter she had seen in days. It was one of a series of small buildings
scattered along the old grand highway or should have been. Most had been left to the elements, falling
to ruins that had barely a single wall to set a tent against. With an effort of
will she unclasped the hand holding the reins, her fingers were white from the
cold. She pushed back her heavy, wet
hair with a shaking hand and sighed wearily.
"This is a good enough place.
Time to rest."
****
Each tale of course has its own flavor and style but do your best to not make that opening page boring. If you do you will find the readers will be few and far between.
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